Creative Writing

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Mousterian Dawn

Sunday, May 29th, 2011

Poetry deserves a cheesy science-fiction chaser. An original sci-fi short story follows…

Doris McDonald lived in a rent-controlled apartment on the eighty-fifth floor of a building overlooking the Mare Imbrium. After retiring from the observatory with a government pension, she could live comfortably, well compensated for the fact that her body – weakened after decades serving science up here in the sky – could never go home. She chose to live frugally, however, her only luxury a pair of GeneCorp® NeanderClones™ shipped up from below.

She could hear the female, Polly, humming as she washed up after serving dinner. The tune was in a scale unlike anything in the complete library of world music built into the apartment. Polly’s singing always made the hair stand up on the back of Doris’ neck.

It’s not that she was afraid of her ‘Clones – attacks on their Modern masters were a thing of the past, ever since the company had begun neutering the males before delivery. In moments of real panic, shock collars artfully disguised as Celtic torques could be activated at the touch of a button. The anthropological anachronism annoyed only scholars of ancient history. NeanderClone owners had nothing to fear.

Read the complete story after the jump! Keep reading…

Renovating Building 112

Friday, May 27th, 2011

Workmen are remodeling our office.
     They gather by the dozen
          to eat breakfast – sock caps low
over foreheads, face masks slung
     around necks. One tells a joke
          I can’t hear, and their laughter
rumbles over plastic chairs, cash registers,
     condiments, the salad bar.
          From my corner booth I can see
cranes that tower over evergreens
          marked with bright pink ribbons
               for the chainsaw. I look back
and they’re gone – nothing left
     but napkins stacked neatly
          on the center of the table.

I wrote this poem almost exactly four years ago, when I frequently stopped for coffee or breakfast in a Microsoft building between my bus stop and my own building. My product group has moved to another satellite campus since then, but I was back in Building 112 this morning for a meeting and overheard a team of corporate movers swapping stories about their accident-prone supervisor. I finished my coffee, looked up, and they were gone. I immediately thought of this poem.

I owe the poem’s current form and other improvements to feedback from David Wagoner while he was the Poet in Residence at Richard Hugo House.

Lost tools of the paleolithic

Friday, May 20th, 2011

The summer of ’94, I spent my days excavating a 5×5 meter square of Tall al-’Umayri near Amman, Jordan. As with so much of Near Eastern archaeology, the dig was mostly funded and staffed by Christian colleges in America, with a goal to reach the layers most likely to contain artifacts of interest to believers. I can’t fault the completeness or rigor of the science applied to the process along the way, but it always seemed like there was so much more to learn than the Late Iron II strata could offer — from the late Roman mikveh near the surface to the neolithic burials excavated without fanfare on the fringes of the project.

I was drawn inexorably to that deeper past, far beyond the 6,000-year timeline to which so many believers back home limited their thinking. There in the field, even theology professors set aside their biblical literalism to work and talk within the context of the facts evident all around us.

Neolithic blade - 'Ain Ghazal
Neolithic blade from ‘Ain Ghazal, a “mere” 8,500-9,250 years old

Drawn by stories of undiscovered sites nearby, I walked in the cool evenings through the fallow fields surrounding the school for Palestinian girls where the project was headquartered. I found myself stepping across the surface of a world much, much older than Moses, Abraham, Noah, or Adam and Eve. Chipped stones lay scattered across furrows of barley stubble ploughed under at the end of the last season, and I filled my pockets with chunks of tan stone streaked with oranges and browns.

I’d corner one of the archaeologists and seek an impromptu lithic analysis. Laid out on a table or the side of an unmade bunk bed, I’d wait with baited breath for each pronouncement of “paleolithic scraper” or “mesolithic spearpoint,” disappointed with the overwhelmingly common “Sorry, that’s most likely just a rock.”

Surface archaeology — walking surveys of the landscape — tells us what lies beneath, where to dig someday when there’s time and money, but often little more. Recovered from the churned soil of a modern field in a part of the world where human history goes back far older than 50,000 years ago, it’s shocking to learn that there’s little value in these little hunks of rock — an easy approval for me to take them home by the nice man from the Department of Antiquities.

And so, these tools knapped from chert by people thirty, forty, fifty thousand years ago became some of my most treasured possessions. I could hold in my hand something made when ice sheets still covered much of Europe and humans still hadn’t entered the Americas — a time even before artists put aurochs, woolly mammoth, and herds of prancing horses on the walls of Lascaux and Chauvet. I felt a real connection with the men and women who lived all those years ago, a deeper connection than with any character from an ancient storybook.

In a cross-country move between Boston and Seattle, carefully packed to ensure no new chips flaked away, I lost track of my priceless artifacts. In a sense, it’s funny: Excavated by the larger blades of modern, mechanical ploughs, they emerged into the sunlight after tens of thousands of years only to be reburied in a box of miscellaneous office junk (a fate shared by many artifacts in museum vaults).

So I search for them all over again. Every so often, I’ll take down a box left packed for more than a decade and remove a few layers — books of 33-cent stamps, half-used note pads, and stacks of bills paid long ago. Someday, I’ll find them buried at the bottom of a box, pull them out, feel the smooth stone and hear them clink against each other. Someday, I’ll excavate these lost tools once again.

Naps

Wednesday, May 4th, 2011

I didn’t take naps. I don’t think I’d ever taken naps.

Sapporo, 1978Father had church business with church elders next door, and he left me to play with the kindergarteners. At first, they stared at me, even though I wore the same clothes they all wore — blue shorts, white shirt, and round red hat.

The oldest boy called me a gaijin and then laughed.

“I was born in Tokyo,” I corrected him, “I’m a Child of Edo, you Son of the Soil.” Some of the girls laughed.

I played on the swing. The toes of all the other children had scooped the dry sand from under the seats, leaving furrows beneath my feet. At the top of each arc, I could see our blue Subaru over the concrete wall, parked in the church driveway. I played hopscotch with the girls who were nice earlier. I let them win.

A bell rang and we all went inside to sing “Twinkle Twinkle Little Star.” When we sang “The Elephant Song,” I waved my arm from my face just like everyone else. The others were learning to count, but I already knew all ten of them so I was bored.

A lady in glasses and a green dress brought rice balls wrapped in seaweed and we each took one. I loved the saltiness of the black seaweed and the tang of the pickled plum in the center of the rice. The taste reminded me of staying over at Aunt Kiwako’s.

The teacher and the lady in green took mats from a closet and laid them on the floor. The others lay down quietly, some on their sides, some on their backs, some on their stomachs with an arm cradling their face. I told them I didn’t take naps but they didn’t care. They told me to lie down quietly and close my eyes.

I watched the red and green swirls behind my eyelids. I practiced counting to ten. I thought about the day before, when mother and I went to the park to meet father after work. I jumped over ditches and didn’t fall in. My favorite slide snaked down the hill, and I raced mother, me sliding in my corduroys, she running in her plaid skirt. I always won. Father came swinging his black briefcase.

When I woke up, we were on the highway home. I opened my eyes and pretended I hadn’t been sleeping. Some old ladies were planting shoots of rice in a field that we passed. They were probably singing.

Father said, “Did you sleep well? You must have had a lot of fun with all your new friends.”

“I wasn’t sleeping,” I said. “I don’t take naps. And they weren’t my friends.”

Rain began to streak the windows. Father flicked a knob and the windshield wipers started playing sumo. The one on the left always won. I turned to watch the power lines dip down, and then up, and then down again.

Karl Marx on writers

Sunday, May 1st, 2011

“The writer must earn money in order to be able to live and to write, but he must by no means live and write for the purpose of making money.”

National Library - Dublin

National Library, Dublin

“The writer may very well serve a movement of history as its mouthpiece, but he cannot of course create it.”

Happy May Day!