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In the footsteps of James Joyce and Leopold Bloom

Thursday, June 16th, 2011

Bloomsday week in DublinMy favorites of Dublin’s many layers are those that bring to life its rich literary history. Today is Bloomsday, when the strata laid down by James Joyce come to light all across the city (in the photo on the right, banners for Bloomsday on O’Connell Street).

A full day at work followed by dinner with business partners from New Zealand precluded any participation in Bloomsday — a genuine disappointment, so perhaps I can embrace Philip Larkin’s source of inspiration.

Nevertheless, I’ve found myself following Joyce and Bloom all week long, and indeed earlier during my two previous visits in August 2008 and February this year.

My flight arrived early enough that my hotel room wasn’t ready, so I headed north on Grafton Street (“gay with housed awnings”), across the O’Connell Bridge, briefly into the General Post Office, then onto the James Joyce Centre. The museum preserves the front door of Number 7 Eccles Street, where Joyce’s friend J.F. Byrne lived in 1904 and which Joyce used as the home of Leopold and Molly Bloom in the novel.

Leopold Bloom's front door

Jetlag began to catch up with me as I finished the exhibits, so I took the offer of a free lecture at the Joyce Centre to hear a great deal about Phoenix Park that I’d never have learned otherwise. It’s now on my list of places to visit next time I’m in Dublin.

South on O’Connell Street, past Trinity College and the old Irish Houses of Parliament (already the Bank of Ireland in 1904), and back toward the hotel on aching feet…

The next afternoon, I headed north on Grafton Street again, but turned right onto Duke Street, where Davy Byrnes Pub exists in all its nonfictional glory.

Davy Byrnes - "Moral pub."

He entered Davy Byrne’s. Moral pub. He doesn’t chat. Stands a drink now and then. But in leapyear once in four. Cashed a cheque for me once.

There were far more mouthwatering options on the contemporary menu, but I set aside my disdain for tourist behavior and ordered the gorgonzola sandwich.

Leopold Bloom's gorgonzola sandwich

Mr Bloom ate his strips of sandwich, fresh clean bread, with relish of disgust, pungent mustard, the feety savour of green cheese.

As much as I missed doing something symbolically Joycean on Bloomsday itself, I realized that Ulysses is everywhere, all the time in modern Dublin, and the real Dublin suffuses Ulysses on every page. An evening in a Dublin restaurant with Antipodean colleagues may have been no less “Joycean” than turning the rusty knob of Leopold Bloom’s front door or eating bread topped with overwhelmingly green cheese.

You can see a more complete photo tour of Joyce and Bloom’s Dublin by Tony Thwaites of the University of Queensland, to whom I’m indebted for some of my own after-the-fact details and choice Ulysses quotes.

Mousterian Dawn

Sunday, May 29th, 2011

Poetry deserves a cheesy science-fiction chaser. An original sci-fi short story follows…

Doris McDonald lived in a rent-controlled apartment on the eighty-fifth floor of a building overlooking the Mare Imbrium. After retiring from the observatory with a government pension, she could live comfortably, well compensated for the fact that her body – weakened after decades serving science up here in the sky – could never go home. She chose to live frugally, however, her only luxury a pair of GeneCorp® NeanderClones™ shipped up from below.

She could hear the female, Polly, humming as she washed up after serving dinner. The tune was in a scale unlike anything in the complete library of world music built into the apartment. Polly’s singing always made the hair stand up on the back of Doris’ neck.

It’s not that she was afraid of her ‘Clones – attacks on their Modern masters were a thing of the past, ever since the company had begun neutering the males before delivery. In moments of real panic, shock collars artfully disguised as Celtic torques could be activated at the touch of a button. The anthropological anachronism annoyed only scholars of ancient history. NeanderClone owners had nothing to fear.

Read the complete story after the jump! Keep reading…

Rethinking The Road

Tuesday, November 17th, 2009

There is a remote but distinct possibility that I may have been wrong about The Road.

The characters, story, and even snippets of McCarthy’s “pretentious, mannered style” (my words) have stuck with me over the last three months, and I find myself considering whether the novel may not be, in fact, utter crap. I hate being wrong, but positive comparisons to The Grapes of Wrath continue presenting themselves unbidden from the back of my mind.

Perhaps it’s time to set aside the wonderful writer Elizabeth’s Hand’s less-than-wonderful post-apocalyptic Glimmering and give The Road a second chance.

Breaking news: Cormac McCarthy proves apostrophes susceptible to nuclear attack!

Saturday, August 22nd, 2009

Cormac McCarthy's The RoadMy list of 15 books that left a lasting impression is full of science fiction, much of it very dark, and some of it apocalyptic. After ignoring the hype for a couple of years, I finally picked up Cormac McCarthy’s The Road, only to become immediately annoyed with McCarthy’s pretentious, mannered style.

McCarthy’s writing is full of incomplete sentences and anastrophe, completely lacks quotation marks, and frequently embeds dialogue in the middle of paragraphs. What truly annoys me, though, is McCarthy’s inconsistent use of apostrophes for contractions. Each of these conventions is a barrier to straightforward reading (though I finished The Road in only a few hours). If they made me stop and think about the language, characters, or plot, I wouldn’t object, but they’re merely distracting.

Naturally, this apocalyptic abomination is being made into a “major motion picture.”

I think what bothers me most is how much attention McCarthy and The road have gotten. With more praise and “book of the year” awards than God’s own Bible, you’d think McCarthy had done something deeply original. Well, he hasn’t. Writers like Joyce experimented with alternatives to standard dialogue punctuation, but I would argue that time has proven their experiments a failure.

And there are far superior works that address how we as humans might react to the end of our civilization and the impending extinction of our species. Two of my favorite examples appear at the end of Elizabeth Hand‘s Saffron and Brimstone. “Echo” and “The Saffron Gatherers” explore similar themes of survival amidst the loss of hope without resorting to needless typographical devices.

Thankfully, I’m not the only one who’s annoyed and even a little angry about The Road‘s undeserved success.

The Bibliophile Baker:

What really irritates me is his apparent aversion to punctuation. For a while I was trying to decide why some words deserve apostrophes, and others don’t, but I think I finally figured it out: he puts apostrophe’s for contractions of words + had, but not words + not. i.e. He’d use some markings, but he didnt use others. This to me is both annoying and pretentious.

Bibliobibuli has an excellent analysis of the specific patterns, along with a roundup of the punctuational criticism from around the ‘net.

Literary Kicks may respect Oprah, but nevertheless has some more well-constructed analysis of McCarthy’s assault on the English language.

And with that, I’m hereby inaugurating my list of…

Writers I Would Like to Punch in the Face

  • Cormac McCarthy, for being a pretentious twat.
  • Philip Pullman, who doesn’t seem capable of creating a sympathetic character, even in books ostensibly written for pre-adults.
  • Michael Crichton, whose varied and single-minded obsessions in each book (chaos theory! quantum mechanics! the Japanese!) seemed about as relevant as an elevator operating manual to a Kalahari bushman.

Having actually met enough reasonably well-known writers to think that there’s a greater-than-zero chance that I might also meet those on this list, I should of course note that I’m a pacifist and wouldn’t think of really punching these guys in the nose. Well, maybe Michael Crichton, since if I met him now he’d have to be a zombie…

Third Place Books

Sunday, August 16th, 2009

Today’s haul:

  • Cormac McCarthy: The Road
  • Seamus Heaney: Electric Light
  • Mary Oliver: Red Bird
  • Frank Herbert: Heretics of Dune